Claude Monet Woman In A Green Dress paintingClaude Monet Vase Of Flowers paintingClaude Monet The women in the Garden painting
Notting Hill, and every evening he ended up at Pamela's door, thumb in mouth, biting the skin around the edges of the nail, fending off the dog and his own guilt, heading without wasting any time for the bedroom. Where they would fall upon one another, mouths searching out the places in which they had chosen, or learned, to begin: first his lips around her nipples, then hers moving along his lower thumb.
She had come to love in him this quality of impatience, because it was followed by a patience such as she had never experienced, the patience of a man who was therefore prepared to value what was offered, or so she had thought at first; but then she learned to appreciate his consciousness of and solicitude for her own internal tensions, his sense of the difficulty with which her slender, bony, small-breasted body found, learned and finally surrendered to a rhythm, his knowledge of time. She loved in him, too, his overcoming of himself; loved, knowing it to be a wrong reason, his
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