Andrea del Sarto The Sacrifice of Abraham painting

Andrea del Sarto The Sacrifice of Abraham paintingAndrea del Sarto Madonna of the Harpies paintingSalvador Dali Apparition of the Town of Delft painting
imagined, men and women who were also partially plants, or giant insects, or even, on occasion, built partly of brick or stone; there were men with rhinoceros horns instead of noses and women with necks as long as any giraffe. The monsters ran quickly, silently, to the edge of the Detention Centre compound, where the manticore and other sharp-toothed mutants were waiting by the large holes they had bitten into the fabric of the containing fence, and then they were out, free, going their separate ways, without hope, but also without shame. Saladin Chamcha and Hyacinth Phillips ran side by side, his goat-hoofs clip-clopping on the hard pavements: _east_ she told him, as he heard his own footsteps replace the tinnitus in his ears, east east east they ran, taking the low roads to London town. sheets; yet could not, for was not he himself. . . ? "That's right," the creature said. "You see, you're not alone."
It had an entirely human body, but its head was that of a ferocious tiger, with three rows of teeth. "The night guards often doze off," it explained. "That's how we manage to get to talk."
Just then a voice from one