Friday, August 22, 2008

Titian Bacchus and Ariadne painting

Titian Bacchus and Ariadne paintingLorenzo Lotto St Catherine of Alexandria paintingCaravaggio The Supper at Emmaus painting
been quite as anxious on Max's behalf as I was in the dream, but any concern in the other matter would have been for the proper order of our breeding-schedules, not for so preposterous a notion as a milch-goat's honor! No, I insisted (rapping my points out firmly with the butt of my hay-fork on the floor), the dream must have some other meaning, and an innocent one, perforce. I had no wish to mate with Mary V. Appenzeller; for one thing, she was dead; anyhow she was not my real mother; even if she were, there would be no evil from goatdom's point of view in mounting her, unless it lay in singling her out exclusively. It came to this, that I was not wicked: I was good. Undeniably I had struck my keeper once, and had slain my best friend -- but those were tragic mistakes, one might almost say accidents; it was unkind even to recall them, proceeding as they had not from a flunkèd heart but merely from suffering ignorance, the same that had assaulted Lady Creamhair in the hemlocks. . .
"Yes?" Max asked politely. "You remember something else in the dream, Georgie

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