Francisco de Goya paintings

Francisco de Goya paintings
Filippino Lippi paintings
He saluted Rowena by doffing his velvet bonnet, garnished with a golden brooch, representing St. Michael trampling down the Prince of Evil. With this, he gently motioned the lady to a seat; and, as she still retained her standing posture, the knight ungloved his right hand, and motioned to conduct her thither. But Rowena declined, by her gesture, the proffered compliment, and replied, “If I be in the presence of my gaoler, Sir Knight—nor will circumstances allow me to think otherwise—it best becomes his prisoner to remain standing till she learns her doom.”
“Alas! fair Rowena,” returned De Bracy, “you are in presence of your captive, not your gaoler; and it is from your fair eyes that De Bracy must receive that doom which you fondly expect from him.”
I know you not, sir,” said the lady, drawing herself up with all the pride of offended rank and beauty; “I know you not—and the insolent familiarity with which you apply to me the jargon of a troubadour, forms no apology for the violence of a robber.”